| PUBLICATIONS DEPARTMENT Page 7 NAVIGATE TO: COFFEEHOUSE CULTURE PUBLICATIONS AMAZON RECOMMENDATIONS: New Recommendations : Fiction | Non-Fiction Next Page | Previous Page DEPARTMENTS: CLOTHING | SMOKING | MULTIMEDIA | HOUSEHOLD |
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| ISSUE ONE RECOMMENDATIONS Page 1 |
Fiction
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CATCH 22 -- Joseph Heller Although it was published in 1962 it took a few years for Heller's anti-war masterpiece to catch us up. But when it did -- wow, what a piece of work. An intense and weird satire based on a US airforce base in Italy, it is full of great characters and snappy phrases and has some of the most wonderful irreverent black humour ever. Extremely clever and meaningful, of course, it was another one that had tremendous influence. Like all great art it had a profound lesson to teach us -- that Catch 22 is a real phenomenon that affects all our lives. But you gotta laugh at the irony of it all. Haven't you? |
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| THE GLASS BEAD GAME -- Hermann Hesse Fantastically influential, this is the best of Hermann Hesse's work. The tale of a strange monastic order of intellectuals who practice a technique of transcendence through a game -- The Glass Bead Game of the title -- it inspired so many of us. Leary named his organis- ation after the city in which the story is set and the Brotherhood of Eternal Love structured their vast smuggling operation around the concepts it contains. The book contains a number of appendices among which are three of the most incredibly beautiful, inspiring and well written short stories ever. It is worth buying just for these. |
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SIDDHARTHA -- Hermann Hesse This is another one that set our world on fire. For many of us it was our introduction to the world of eastern mysticism that could only send us chugging down to the Penguin Bookshop for Christmas Humphrey's books on Buddhism. A short but extremely elegant novel that sets itself up as a biography of the Lord Buddha, we had no idea just how closely it stuck to Gautama's teachings. The lead character -- Lord Buddha, himself -- comes across as a totally unpretentious, very human but very self-actualised individual, just the way he should. The book ends with a scene of such immense evocational power that it changed many a life. This book, alone, stands out from amongst Hesse's work as a singular positive and up experience from a writer whose books redefine angst. This must be the only work of Hesse's in which there are not suicides. An excellent, elevating and beautiful read. |
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| ISLAND -- Aldous Huxley If you have not read this wonderful novel of a society based around increased consciousness, you are not complete as a person. Encapsulating some of the key phrases that we use to define our reality (like 'here and now'), this is a visionary treatise that not only bears witness to the inspirational aspects of the psychedelic experience but offers a blueprint of sorts for how such a society might be structured. Revolutionary in its time and, unfortunately, still revolution- ary, this is one of the most significant books to be published in the 20th century. Groundbreak- ing, earth shaking anarchy of the most fundamental and insidious kind. Good on ya, Aldous. One of the great books. |
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ON THE ROAD -- Jack Kerouac The book that started it all -- Kerouac's literary masterpiece. This, my friends, is lit-er-at-ure. Like a Thelonious Monk number, it is a strange blend of rhythms and counter-rhythms played out through surreal illusions and slightly embarrassing free-form, somewhat experimental, prose. Dripping with hippness and oozing speed-induced weirdness, this is the tale of Dean Moriarty and his travels through America. While it might seem tame and fairly innocent now, when it first appeared it was incredibly experimental and anarchic. But, in the grey gabardine society that prevailed at the time it did give so many people hope. One of a half a dozen or so books that have truly changed society, this is not the easiest read in the world but certainly one worth trying. |
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| NAKED LUNCH -- William Burroughs The last, if not least of the counterculture's unholy trinity, Burroughs is another infinitely hip writer and this is his most famous and most readable book. It has its moments but the weird- ness overwhelms readability far too often. Never the most approachable writer (except, of course, from the rear) in the genre, Burroughs gets weirder and weirder from this book on. Set in Tangier (I believe) it is heavy on insects and paranoia. One of the strangest books I have ever read, the Moroccan sequences are often fairly evocative but mainly of sweaty homosexual liaisons and shooting up. Indeed, this is a junky book through and through; every page reeks of Bill's smack habit and the whole thing is permeated by a dark and depressing smack generated view of reality. |
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