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• ANCIENT WISDOM • TIMELESS TRUTHS • ETERNAL KNOWLEDGE • PRECIOUS INSIGHTS •
PLAIN TEXT
CULTURE OF CONSCIOUSNESS Part. 2, Page 2

....
IN THE
BEGINNING
WAS
.... . different to the limited Christian
concept. The time scale here is
enormous and majestic. Calcul-
ated upon the length of a Sat
Yuga, time shortens as purity de-
creases, until the Kali Yuga --
which is only one quarter of the
Sat Yuga -- lasts a mere 432,000
years.Vedic time scales are,
indeed, majestic bearing more a
THE WORD

.Continued from previous page

kinship with those astronomy and
geology than with tribal history.
....The hymns of the Vedas, in
which the Rishis sung of their visions, were later called shruti -- ‘that
which is heard’ -- as the revelations
granted to those original Enlightened
Sages were passed down in an unbrok-

.... . (Chapter 8, verse 29.) The Vedic
pundits are thus the prototype of a
universal tradition, their equivalents
known in Europe as the bards,
the singer-priest-poet-shaman who
nourished and healed their commun-
ities by acting as the channel of the
Gods. William Blake, the English

.
....The Vedas, however, as expounded
by those from within the tradition,
can be seen as a clear mirror into
mankind’s psyche, a comprehensive
vision of life in all its depth and
intricacy. Those ancient texts chart
remarkable insights into the work-
ings of the universe that provide a
basis for in depth instructions on how
to align ourselves with those workings
.
. to participate in the oneness of all life.
The great archetypal ideas that were
to surface again and again in the world’s religions and philosophies
are here envisioned in seed form:
Heaven and Earth as parents, the
. . en oral tradition up to modern times.
The language of this transmission was
Vedic Sanskrit, said to be the per-
fect language in which the vibrations
comprising the name of an object
exactly mirror the vibrations of its
. . visionary painter and poet, talked of
the
phenomenon when he wrote:
‘Hail the Bard, who past, present and
future sees!’ To see the three stages of
time one must be stationed beyond
them, rooted in the timeless Trans-
physical form. For this reason, the
Sanskrit word for poet -- kavi --
means literally ‘maker’; indicating
that the appropriate chant correct-
ly intoned has the power to create,
rather than merely mimic, the
processes of the world. Such a
chant, drawn from the very well-
spring of life, deep Conscious-
ness itself, and imbued with the
. . cendent. And this was the platform of
the Vedic Seers.
....From Vedic Sanskrit came class-
ical Sanskrit, the language of the
later Vedic texts and all of northern
India’s high civilisation. Classical
Sanskrit is the oldest of the Indo-
European family of languages that is
comprised of Latin, Greek and the
Celtic, Germanic and Romance ton-
PLAIN TEXT
THE ROOTS OF YOGA

The word ‘yoga,’ comes from the Sanskrit root YUJ, ‘to join’, and means ‘unity’ or ‘union’. The great Sanskrit grammarian, Panini, who codified the language in the 4th century BC, tells us: ‘That which unites is called yoga.’ He defines the word in three ways: ‘union’ (samyoga), ‘coherence’ (sanyama) and ‘the unification of the individual mind with Universal Consciousness’ (samadhi).
....It was the great Vedic teacher, Patanjali, who defined the actual nature of yoga, probably in about the 3rd century BC. His Yoga Sutras and the many ancient commentaries on them are still an actively read part of the Hindu canon. Clearly, however, the teaching was an oral one long before it was written down for the sutras are more like lecture notes than scripture. The word ‘sutra’ means ‘thread’ and the brief aphorisms of the Yoga Sutras -- averaging only six words each -- are designed to be teased and unravelled into their full meaning through the application of the yoga techniques they describe.
....As a basis for the teaching of yoga, Patanjali established the ‘eight limbs of yoga’ (ashtavangani) to provide a basis for living. Not dissimilar from the Buddhist ‘Eight Fold Path’, the eight limbs of yoga are:

1. The Laws of Life (yama):
Non-violence (ahimsa)
Truthfulness (satya)
Integrity (atseya)
Chastity (brahmacharya)
Non-attachment (aparigraha)
2. The Rules of Living (niyama):
Simplicity (shaucha)
Contentment (santosha)
Purification (tapas)
Refinement (swadhyaya)
Surrender to the Lord (tshvarapranidhana)
3. Posture (asana)
4. Breathing exercises (pranayama)
5. Retirement of the senses (pratyahara)
6. Focussing of attention (dharana)
7. Meditation (dhyana)
8. The settled mind (samadhi)

....The eight limbs of yoga have often been interpreted as sequential steps on the path to yoga.The first two limbs -- yama and niyama -- were seen as prerequites for the following six. In such a system, the reward of samadhi, the settled mind, would only be reached after years spent perfecting the preceding stages. Such an interpretation is perfectly understandable in the light of the Christian ethos, in which good action is rewarded. It is not, however, compatible with the main contention of the Vedas -- that everything is based in and on consciousness.
....The basis of any real practice of yoga is in the daily routine of asanas, pranayama and meditation. It is these that produce the state of samadhi. While it is true that the state of ultimate samadhi is not possible without the other seven limbs being fully developed, samadhi is not an absolute; it has many forms and comes in many flavours -- the most Divine being ‘the sweet taste of Soma’.
....The use by Patanjali of the word ‘anga’ -- ‘limb’-- to describe the parts of yoga is significiant and meaningful. The limbs of yoga are not separate but form the body of yoga. But at the heart of that body is the daily practice of asanas, pranayama and meditation and the samadhi it produces. Out of this practice, the body of yoga grows, as it should, spontaneously and by itself. No amount of conscious effort to practise non-violence, truthfulness, simplicity or contentment can produce the depth of meaning that such qualities require to make their fullest contribution to the Cosmic Order. These qualities, however, blossom and come to flower through the practise of right meditation.

. . gues. Classical Sanskrit gave a unity
to the culture and layering of the
ancient Asian world much as Latin
once did to Europe. In 1786, William
Jones, a remarkable Englishman who
was a judge of the Calcutta High
Court and a brilliant linguist, discov-
ered that Latin and Greek derived
from this ancient tongue, which, he
said, ‘was more elegant than either.’
Thus the science of comparative lin-
guistics was born. Even today, with
the extant literature in Sanskrit
exceeding many times over that of
Latin and Greek combined, only a
fraction -- perhaps ten percent -- of it
has been translated and few of the
translators have had much of an idea
of the concept of higher states of con-
sciousness with which the Vedas deal.

....Of the later Vedic texts, the most
important are the brahmanas, de-
voted to explaining the ritual proced-
ures like yagya and homa (both dealt
with in detail in the first part of this
series,) and the Upanishads. These,
the best known of the Vedic texts in
the west, contain instruction on med-
itation and explanations of enlighten-
ment among the varied explanations
and celebration of the unchanging
Consciousness that permeates all
creation.
....Also well-known among the Vedic

. sun and moon as fosterers of life and
light, bull and cow as generators,
water and fire as purifiers. The pro-
found ideas of cosmic order, duty and
truth --- which were to form not only
that extraordinarily rich tapestry
that is Indian religion and thought
but also that of all subsequent world
civilisations and religions -- are here
spelled out at the very dawn of mod-
ern time.
. . sympathetic resonances of the
entire Cosmos could and should
have the greatest power behind it.
....Thus it is that the Vedic chant-
er/priest actually creates through
his use of sound. As it says in the
Rig Veda: ‘Some singing, they
conceived the great chant where-
by they caused the sun to shine’
TOP OF COLUMN
. ....The difference in scale between the
Vedic and Christian worldview is
nowhere better demonstrated than in
their respective concepts of time.
Christianity (‘In the beginning God
created the heavens and the earth.’)
believes that the Divine uniquely
favoured one ethnic group, the Jews,
whose linear history incorporates the
unique descent of the Divine in the
form of one man -- Jesus -- who lived
at one time in one place in order to be
the sole saviour of the world for those
who believe in Him. And too bad for
all those who don’t. In the Vedic view,
such a concept of time and its conn-
ection with the claim for spiritual
monopoly is extremely limited. Savi-
ours, teachers and Enlightened beings
come and go throughout all time and
time itself is endless, a repetition of
cycles of growth and decay that goes
through all eternity. These cycles,
known as Yugas, are named after the
four of the sides of a die; they move
from a high point -- Sat Yuga -- that is
regarded and described as a Golden
Age, through Silver and Copper ages
to the Iron age -- Kali Yuga -- the time
of universal darkness and ignorance
when life is at it spiritual lowpoint.
There are no prizes being offered for
guessing where we are right now. But
the compensation is that it can only
get better. And the Yugas exist in a
scale of time that is inconceivably
TOP OF COLUMN
. .
PLAIN TEXT
PAINT
IT
BLACK

When the knowledge of yoga becomes distorted or is lost, say the Vedas, the branches of life become brittle and wither and die. Such times of spiritual drought, when humanity is cut off from the source of life, from the Divine, and from itself, are when the Goddess of destruction walks the earth, when ignorance and suffering prevail. Such are the times of Kali Yuga.
The Puranas, India’s oldest sources of mythological lore, describes Kali Yuga as the time of blackness. In the Vishnu Purana, Kali Yuga is described in more detail. It says: ‘Society reaches a stage where property confers rank, wealth becomes the only source of virtue, passion the sole bond between husband and wife, falsehood the source of success in life, sex the only means of enjoyment and outer trappings are mistaken for religion.’
TOP OF COLUMN
. . texts are the itihasas (the histories.)
These are texts like the Ramayana
and Mahabharata and the Bhagavad
Gita. Although in the West these are
considered myths (that is, imaginary
stories that have little basis in
reality,) to the Indian they are as real
as anything else. In fact, because they
deal with the cosmic realms and are
mind-boggling tales of the Gods (not
totally unlike the Greek myths,) in
some sense they are more real that
mere human history which is a
pretty miserable affair that is greatly
limited in possibility and achieve-
ment.
....The third group of later vedic texts
are those that celebrate the experi-
ence of Enlightenment as it is exper-
ienced by those who have realised
their True Nature. These texts
generally belong to the philosophy of
Vedanta (literally ‘the end of the
Veda’) and comprise hymns, prayers
and chants in praise of Consciousness.
Among the most powerful of these are
the Ashtavakra Gita (‘The Song of the
Sage, Ashtavahara,’) the Adadhut
Gita (“The Song of the Solitary One’)
and the Vivekachudamani (The
Crown Jewel of Discrimination’) by
the great Vedantic teacher and the
father of modern Hinduism, Adi
Shankara (9th Cen
tury AD.)

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